Archive for August 31st, 2008

Fashion By Emo

Fashion By Emo

I’m a jeans-shirt-jacket fellow, although you’ll never see me wear a suit of white.  I just happen to like black and grungy-themed shirts, and I feel naked without a jacket.  Yet if there’s anything I hate more than hip-hop attire that you would expect to see on a man with multiple circumcisions, it’s the get-up of the emo loser kid.

So pardon me while I play to the role of an asshole.

To look well within the stereotype of emo-ness, you have to build up your look.  It’s not about what music you listen to on your giant CDR-King earphones connected to your pissant 128 MB Starmall MP3 player, but what you wear that makes you a perfect example of the decay of Filipino mass culture.

One of the things I don’t understand about emo fashion is that stupid-looking Kevin Federline hat.  I always thought that emo was about that Quixotic struggle for unrequited romance and the ennui and angst that comes with it, but what’s up with the fedora?

Do the emos have a one-up on us when it comes to free open-source software?  Do the emos wear those big-ass headphones to hide the fact that they’re listening to the off-sync beats of K-Fed (or was that Fed-Ex) singing “Popozão?”

I do not know, but I doubt you’ll be listening to The Red Jumpsuit Aparratus, Sunny Day Real Estate, or Saosin (how they come up with these names, I do not know) while looking like a reject backup dancer for a K-Fed music video.  If you get rejected for that, and still manage to end up being rejected by a girlfriend that was never yours to begin with, then maybe you do have the right to do some wrist-slashing, or whatever it is you emo kids do.  Last I checked, this country is still a democracy.

Being a 23-year-old fogey, I also do not understand scarves.  There must be a semiotic quality to it, something poetic like, “I hate myself for losing that girl, so I’m going to eventually tighten up this scarf and asphyxiate myself because my life is not worth living.  Said scarf, though, was made popular by more than a couple Filipino broadcast journalists:

Abner Mercado: Host of “The Correspondents,” Mercado was said to wear this scarf as a form of public identification.

Ed Lingao: Former host of “The Correspondents,” Lingao used to wear a sniper’s cloak when he was covering the Iraq war in behalf of ABS-CBN.

Is there something remotely emo about journalism?  Hmmm… a change of career plans is necessary.  Maybe a really itchy scarf is a very good option for a cilice, that you’re hiding goiter, or you’re warming up the vocal cords for a gig in front of a couple dozen 21st century beatniks who stare at urinal cake sugar cubes dissolving into something that passes for absinthe.

I suppose that if you’re stuck listening to Led Zeppelin, The Sex Pistols, Cypress Hill, and Rage Against the Machine, you don’t really understand a lot about emo wear.  Like those skinny jeans: are they supposed to crush your testicles, or did you in fact neuter yourself with rubber bands?  Self-mutilation is a big part of emo, and I suppose doing the capon routine on your own… cock, would be a much more cathartic alternative to disposable razor blades.

You’d get it once you get hold of a couple of rubber bands and a barbecue stick.

August 31, 2008 2 comments Read More
Video of the Week: A Theme Song… If I Had One

Video of the Week: A Theme Song… If I Had One

Let’s make this quick.

I don’t have a messianic complex.  Instead, I have a rockstar/professional wrestler complex.  What if I had an entrance theme?

For the first time in the short history of VotW’s, this has nothing to do with jologs-ness.  If I had an “entrance theme,” it would be this:

Never mind the bollocks, here comes Marocharim.

August 31, 2008 0 comments Read More
Commercializing (?) A Hero

Commercializing (?) A Hero

A friend of mine showed me an online project called “iamninoy,” which makes available merchandise (t-shirts, buttons, glasses, stickers, and so on) that aim to boost the awareness of the youth for one of the Philippines’ most famous (if not infamous) heroes.  To me, the trigger was almost automatic: I’m betting that at least one person out there believes that this is the “commercialization of Ninoy Aquino.”

I’m not a historian or a historical critic, so I won’t delve or dwell into whether or not Ninoy’s assassination – and its precedents – constitutes heroism.  For all intents and purposes, let’s just assume that Ninoy is a hero.  Which begs the question: if someone out there sells Ninoy t-shirts, is it commercialization?  Are we commercializing the image of Ninoy if we wear the retro glasses?

“Commercialization,” like many words, is easy to use; however, the meaning of commercialization is often lost in context.  Everything has its price, and everything with a price can be sold.

Let’s take corned beef for example.  A can of corned beef is not free: it either costs P22.00, a serious natural disaster, participating in a political rally, or pitiful circumstances.  Any which way, there is value in that can of corned beef, which gives it value and a place in the market.  Whatever we can exchange and place in any sort of marketplace is to give it a commercial potential.  Commerce and trade is the backbone of economics; everything is, in effect, commercialized.

I know it’s shallow, and I know that people my age prefer complicated and overwrought explanations to something as mundane as the image of a guy in a T-shirt.  For purposes of complicating things, the image of Ninoy is a simulacrum: a representation of a representation (Baudrillard for the masses).  What makes it all the more mundane and absurd is that within that context, there is nothing beyond it.  We all have to be smartasses, in one way or another, to think that there is something more to that image, that the act itself is inherently the negative connotation of commercialization.  Yet there’s nothing inherent about symbols: language is arbitrary.

In other words, it means nothing.

Yet since nobody I know would subscribe to such a nihilist, com si, com sa affect toward symbols, let me put it this way.  If it takes the image of a hero to have a hope that we become heroes in our own right when the time comes, then that itself is worse than “commercialization.”  It is often the case that those who speak out against “commercialization” are those who allow themselves to be victimized by it.  It’s not because everyone’s a victim, but because of a lack of perspective.  We are all duty-bound to do at least one heroic thing for this country, and yet the bulk of us even balk at being half the hero that we label Ninoy.

If there’s any poignant meaning that can be derived from “iamninoy,” it’s the fact that it sometimes takes a t-shirt and a pair of retro glasses to remind us that there was a time that one guy stood up for what’s right, no matter how wrong he seemed.

And died for it.

August 31, 2008 0 comments Read More
Max and Me

Max and Me

I was at Greenhills the other day taking some assignments from a freelance gig, when I came across the bronze statue of the late great Max Soliven.  I don’t know what is it with statues and inspiration, but burnout ceased for me at that very moment.

I’d be a sycophant if I said that I idolized Mr. Soliven, but I did admire his work.  If there’s anything worth reading in the Philippine STAR at the time, it was the wise words of the man many referred to as “Manong Max.”  Before this pillar of Philippine journalism wrote 30 some four years ago, he was a foremost social critic, political commentator, and writer.  No weekday of mine was complete without the quick wit and solid opinions he made in his STAR column, “By the Way.”  That, a can of Coca-Cola, and a couple of cigarettes was usually enough to make for a fine day of reading a newspaper.

I always thought that the “Opinion” columns in newspapers belonged rightfully to old people, to people wise beyond their years, or to young folk who have good connections with mainstream media.  We young folk who are bent on making our opinions known rely on our blogs.  Even with the so-called “Age of Information” upon us, print media is still the Holy Grail for writers.  Many are called, few are chosen, but only the best would ever make it to a respectable newspaper and write opinion columns.

That’s where I want to be in the next ten years, and while I know that I will never eclipse the profound influence of Max Soliven, I know that if I work hard enough, I could very well belong to that pantheon of writers, journalists, and opinion-formers that Manong Max represents.  I think it’s all a matter of dedication, good timing, and good sense.

Why am I rushing?  I’m enjoying online writing too much to leave it just yet!

August 31, 2008 0 comments Read More