The Marocharim Experiment

Anarchy for the WWW

Archive for February 22nd, 2009

Past Perfect

Sunday, February 22nd, 2009

Let me turn the jargonator on.  My brain is a bit hyperactive from cigarette deprivation.

Over dinner last night, the conversation with Caffeine Sparks, MLQ3 and JV Rufino ended up on a discussion on the “resurgence” of John Kenneth Galbraith.  Back in college, I borrowed a yellowing copy of Galbraith’s The Affluent Society for reading purposes (I didn’t read a lot of fiction), and was rather intrigued that nobody read the book since it was last borrowed somewhere in 1982.  From what I can remember of Galbraith: poverty, inequalities, and income disparities in the United States after World War II banks on the conventional wisdom of the haves and the have-nots.  The rich grow richer in the private sector, and this stands in stark contrast of the poverty of the public sector.

If my memory serves me right, it was Galbraith who (re-)introduced the world to the ideas of Thorstein Veblen’s “leisure class.”  While no economist worth his or her own salt will be caught dead invoking ideas like “conspicuous consumption” or “barbarism” today, it does make you think; if there’s any good explanation for Starbucks and window-shopping, you have to read Veblen.

So what seems to be a “so last century” study and “obsolete” explanation of social inequalities, what has been relegated to the back rows of libraries, is now becoming vogue.  This is interesting…

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Where Is Stefano Mori?

Sunday, February 22nd, 2009

I’d like to talk about political issues, about social concerns, things of that nature.  Heck, I’d like to work on lyrics translations of Bon Jovi.  Uh… no, not today.

For the past few days, I had a rather unhealthy preoccupation with old showbiz.  My status message in Facebook began with a bad epiphany: if the name “Lindsay Custodio” still rings a bell, you’re probably old.  True enough, some of my friends responded to the affirmative; hey, we all grew up watching Ang TV. That, and having a good memory of the opening tune of Showbiz Lingo.

The highlight of last week’s jolography (so to speak… not of the jumping form) was Stefano Mori, so much so that I actually changed my Plurk display ID from “Marocharim” to “Stefano Maro.”  Yes, Stefano Mori; one-third of JCS.  While you’ll still hear of John Prats and Carlo Aquino today, you’ve probably forgotten about Camille Prats’ love interest in G-Mik.

If you’re willing to admit your age and stop blaming things on cultural milieu, you very well know that Stefano Mori played “Borj,” Camille Prats played “Roni.”  That tandem, for a time, was the backbone of G-Mik. More than that, Stefano Mori was a mainstay in Mula sa Puso (if my memory serves me right, he was the kid brother of Claudine Baretto), and also played a few anak roles in Maalaala Mo Kaya.

So, whatever happened to Stefano Mori?

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“Buti Pa Noong Panahon Ni Marcos”

Sunday, February 22nd, 2009

These days there seems to be some nostalgia for Ferdinand Marcos.

When Ferdinand Marcos fell from power through EDSA I, I was all but seven months old.  Since there’s no such thing as a politically conscious infant, I only became somewhat conscious of Marcos when I went to school, when the strongman was gone from the seat of power.  Everything I know about Marcos from people who actually lived through Martial Law.

For a time, it seemed that Marcos’ legacy will be forever tainted and reviled.  Some people truly and genuinely resented Marcos, and that Martial Law was like our Dark Ages.  You would have heard of “Marcos stories;” how you would be forced to sing the national anthem in the middle of the street for jaywalking, how “Voltes V” was banned, how troops would patrol the streets after curfew hours.  For a time, and to a certain extent, Marcos was the closest equivalent we had to a political Beelzebub; Marcos was as much a caricature as he was a historical figure.

We’re the generation that didn’t have to go through Marcos.  The political consciousness of this generation was molded after Marcos.  Everything we know about Marcos is secondhand knowledge, lore passed on from the generation before us.  We cannot speak of “better times” with reference to Marcos because, as far as this generation is concerned, we weren’t born yet.

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Trying

Sunday, February 22nd, 2009

I’m trying to work on short stories… now there’s a good qualifier: “trying.”

I don’t consider myself a good writer.  Whenever I go to work, or whenever I write for my own personal amusement, I always take it as a learning experience.  I try to convince myself that there’s a lot to learn, and that there will always be a few mistakes here and there.  In a way, I can only call myself a true-blue, honest-to-goodness “writer” if I can write something perfect.  If I get recognition, if another person calls me a writer out of respect for what I write, if I can be a peer to the writing community.

Last year, I gave myself a goal that in 365 days, people will know who I am.  People will respect me for my writing.  Cause celebre, hailed as the new wunderkind of Philippine literary circles.  Today, I find myself writing – trying to write – a short story on the wee hours of the morning, drawing from a very shallow well – and a very shallow understanding – of diligence and discipline.  If there’s anythming I have to do to be recognized, it’s to work my ass off even if it hurts.

My hands hurt, my head hurts.  Just before I started writing this godforsaken entry, the shooting pain that radiates from my hands to the base of my spine reared its ugly head again.  In yet another emo episode that involved a good measure of self-flagellation, I just cracked my knuckles, bent my neck from side to side, and stretched my fingers as far as they will reach.  Knuckles that have been strained, a spine jarred since my childhood, and fingers that have turned to claws.  I felt the urge to scream in pain, bit my lip, and waited for the pain to subside.

Then, it was back to the draft.  Back to a miserable, almost Quixotic struggle to reach a goal and to keep a promise.

With bloodshot eyes, I looked at the few paragraphs in front of me.  I wondered aloud, “Why am I doing this?”  Whatever I’m doing is not an act of passion or heroism, but suicide.  Diligent or disciplined as it may be, it’s not a cause for admiration.  Rather, the pain that I put myself through on a daily basis is a cause of shame, embarrassment, and alarm.  Too much self-sacrifice is useless for something that is not assured.

I don’t know when that recognition will come, but that is not worth the pain.  Yet until then, things still need to get done.  Works need to be written.  I’ll just have to draw the strength from a well much deeper and full than where I’m taking it from.